Page 6 - ScaredRabbits
P. 6

Preface



              It is thanks to Margrit Streit of the ARCHE child care in Zurich that this work came about. The
              ARCHE (ark) is a social institution in Zurich which runs a second hand store, creates working
              places for people in rehabilitation and also cares for emigrant children, giving them a Swiss
              ‘godfather’ or ‘godmother’ to build a bridge for them to Swiss culture, helping them in the
              housework for school and being support and partner in exchanges.

              In  the  course  of  February  2008  we  spoke  about  whether  one  or  two  theatre  afternoons
              could  be  arranged  for  the  children,  and  so  the  work  started  rolling.  In  addition  to  this,  I
              always  had  wished  to  set  the  Jataka  Tales  of  Noor  Inayat  Khan  into  a  theatre  setting,
              following the ancient tradition of storytellers who for so many years ‘passed on life’ in the
              times where there was no radio, TV or other devices.

              It was of invaluable help to me that for these last five years, I had busied myself in musical
              projects with my dearest friend Hidayat InayatͲKhan, younger brother of the Jataka Tales
              author,  all  his  symphonic  compositions  should  become  available  in  the  music  shops  in
              printed form, this is the aim.

              It was obvious and evident that I would try to create something myself, and so I took up the
              work, easy flow from the hand into the music writing program of my computer, and also the
              working out of the theatre plot was just one fine flow. We selected from five stories the one
              presented here.

              This book is a documentation about the work. I would deeply enjoy if this work was a first
              step into an ongoing flow of cooperation with various groups, institutions or working circles,
              who care for a living culture of the old traditions. Therefore the little sign ‘work in progress’
              – the paper presented here is incomplete, partly not sufficiently flexible to meet the needs
              of various groups.

              So it is more than all a report about these two theatre afternoons of April 2008, which ended
              with  a  little  performance,  and  secondly  you  will  find  some  information  about  the
              background of the story, the composition and the literature which had flown into the work.

              With deep gratitude for your welcoming reception, much pleasure reading and listening! All
              imperfections in contents, Performance and music are mine!



              Zurich, beginnings of May 2008                                        Puran Füchslin












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